Here's everything you need to know about the world of television for Friday, September 13th, 2024:
WHO KNEW THAT BEING A RACIST TOOL WOULD BE A SMART CAREER PATH?
One of the first things you learn when you start covering Hollywood is that if you can make a company money, they would put up a lot of behavior from you that would get the average intern fired almost instantly.
I've written in the past about the unsettling growth of racist, right-wing adjacent comedians who have come to dominate a sizeable segment of the stand-up industry. Because of the success of Joe Rogan and his Austin-based Scooby Gang, as well as the popularity of a number of podcasts and other alternative media, these comics can make a lot of money spouting stuff that used to be considered fringe beliefs.
And because they make the clubs money when they're booked and streamers and networks money when they perform, everyone in a position of power is happy to just pretend it's all a good-natured laugh.
Shane Gillis isn't the most racist tool in modern American comedy, but he might be the person who has most managed to separate his more commercial works from his podcast rantings. He was fired from Saturday Night Live in 2019 for making racist comments on several podcasts:
In one “A Fair One” segment, Gillis uses the n-word, ostensibly quoting his father’s nickname for a childhood prank: “[n-word]-knocking.”
Saturday Night Live is an institution at NBC and Lorne Michaels could shoot someone in the hallways of 30 Rock and would still have a job.
But last season SNL brought Gillis back to host an episode, a move that Gillis has described triumphantly in interviews as Lorne Michaels backing down because he brings an audience with him. That's the same rationale that Netflix uses to explain why they picked up a new stand-up special from Gillis, as well as a self-financed comedy series that has been renewed for a second season.
Every time Gillis is hired somewhere, executives explain that not only is successful, but his past comments have been overblown and that he has "reflected on his actions and grown as a person."
That explanation might come as a surprise to anyone who listened to any of his recent podcast appearances, including on the most recent episode of the Matt and Shane’s Secret Podcast, which came out today:
Gillis: Gender affirming care for illegal immigrants is so fucking crazy.
Matt McCusker: Yo, that was so funny.
Bill McCusker: Give to a fucking Juan or some shit.
Gillis: That when he brought it up, people are laughing at him. They're like, what a fucking idiot. It's like, no, that's real.
Bill McCusker: That's what they do. They invert the truth.
Gillis: "It's all good. Everything's fine."
Matt McCusker: Imagine being a stoic Mexican man, dude. You're like five-five, stoic as hell—
Bill McCusker: Dude, I've seen one before.
Matt McCusker: —and you get into this country thinking you're going to live your dreams and they take you in the room and say, "Bro, you're getting tits and a fucking pussy."
Gillis: Yo, you don't think the lads—the lads—some of those lads would be like, "Si, bueno.”
Bill McCusker: When I used to go to the dump, I saw that shit. There was one Mexican dude with monster tits and they would unload the truck next to me.
Gillis: Wait, you saw Kamala's Frankenstein? You saw Kamala's work?
Bill McCusker: Yes. Literally. I'm not kidding. There was one that [Effecting a Mexican accent] transiti-owned and fucking—
Gillis: [Laughing] "Transiti-owned."
Bill McCusker: Dude, it was wild. I would look over and—
Matt McCusker: Where was he again? He was at a trash dump?
Bill McCusker: He was at a trash dump, yeah. Like just bolt-ons, not even trying to get natural looking tits. They were just fucking fake.
Gillis: You saw one of Kamala's abominations.
Bill McCusker: Yes. Yes. One of her misfit toys.
Yeah, it totally sounds as if Gillis is a changed man.
I'm not arguing that any of these racist chuckleheads should be fired or even lose work. But I would like for the media companies, comedy festivals and other organizations that employ them to simply say "we're willing to overlook these comments because it makes us money."
ODDS AND SODS
* Acorn TV has ordered the new series Relative Secrets, hosted by Jane Seymour. It is the first original unscripted series for the specialty streamer and here is the official logline: "Each episode will investigate an everyday American family’s darkest mystery, aiming both to solve the mystery and explore how it shapes that family today. It will connect American families with their UK heritage including a 99-year-old World War II veteran who worries his absence led to the murder of his grandmother, the daughter of a serial killer desperate to carve out her own identity from her father’s sordid past and a mother who abandoned her three children to start a new secret life."
WHAT'S NEW TONIGHT AND THIS WEEKEND
FRIDAY, SEPTEMBER 13TH:
Dora Season Premiere (Paramount+)
First Time Buyer's Club Season Premiere (OWN)
How To Die Alone Series Premiere (Hulu)
In Vogue: The 90s Series Premiere (Hulu)
Lego Star Wars Rebuild The Galaxy Series Premiere (Disney+)
Officer Black Belt (Netflix)
The Grand Tour: One For The Road (Prime Video)
Three Women Series Premiere (Starz)
UFO Cowboys Season Premiere (The Roku Channel)
Uglies (Netflix)
WWE Smackdown Season Premiere (USA)
SATURDAY, SEPTEMBER 14TH:
Have I Got News For You Series Premiere (CNN)
The Face I Can't Forget (Lifetime)
The Heiress And The Handyman (Hallmark)
SUNDAY, SEPTEMBER 15TH:
Baby Animal Rescue Series Premiere (NatGeo)
Masterpiece: Moonflower Murders (PBS)
Nightmare In The Desert (Lifetime)
Ridley Season Two Premiere (PBS)
Sister Wives Season Premiere (TLC)
The 76th Annual Emmy Awards (ABC)
Tulsa King Season Two Premiere (Paramount+)
Van Der Valk Season Four Premiere (PBS)
MONDAY, SEPTEMBER 16TH:
Antiques Roadshow Season Premiere (PBS)
Candice Renoir (Acorn TV)
CoComelon (Netflix)
Grave Torture (Netflix)
Halloween Baking Championship Season Premiere (Food)
History's Greatest Escapes With Morgan Freeman Season Two Finale (History)
SEE YOU ON MONDAY!